46350 Zinc Sulphide

Kremer Pigmente [Dry] Pigments

Company
Kremer Pigmente (7 products)
Medium
Dry pigment
Pigments
  • PW7 ●●●●
Pigment particle size
≈ 0.3 µm
pH
6
Hardness
3
Description from the manufacturer
Opaque, good whiteness, limited outdoor resistance; In contrast to the other white pigments, Zinc Sulfide has a slight greenish tint, but this is not practically relevant. Zinc Sulfide has the highest hiding power next to Titanium White. The lightening capacity is also significantly better than that of the mixed pigment Lithopone, Cremnitz White and even more so Zinc White. The production of Zinc Sulfide paint is easier than with other white pigments. For water-based techniques, even in oil in small quantities, a thorough spackling is sufficient. However, when making oil paint, the soft pigment should be rubbed with the glass muller. Zinc Sulfide is also suitable as a base for silver pencil drawings.
Lab 2D planes
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Sample
Kremer Pigmente [Dry] Pigments 46350 Zinc Sulphide PW7 measurement swatch
watercolor
masstone
Display P3
sRGB
Value scale
Color Atlases
HLC H000_L095_C000
Color Notation (CIE L*a*b*)
L* 96.92 a* -0.67 b* 0.79 D50
L* 96.92 C* 1.04 130.45 D50

Sample
watercolor, masstone
Paper
Hahnemühle Echt Bütten CP 300gsm
Device
Nix Spectro 2
Mode
M2 (light source: Tungsten + UV-cut filter)
CIE-L*a*b*
L* 96.92 a* -0.67 b* 0.79 D50
L* 96.92 a* -0.74 b* 0.79 D65
CIE-L*Ch°(ab)
L* 96.92 C* 1.04 130.45 D50
L* 96.92 C* 1.09 133.23 D65
CIE-V*D*
V*ab 96.93 D*ab 3.25 D50
OK-Lab + Ch°
L 0.9732 a -0.0020 b 0.0020 C 0.0028 134.5775 D65
Munsell
Munsell C
CIECAM02
J 95.7 C 1.3 133.2 s 6.7 Q 295.9 M 1.3 D65
RGB
sRGB: r 245 g 247 b 245 hex #F5F7F5
P3: r 0.963 g 0.966 b 0.96
Spectral Curve
Disclaimer
Read about the samples and measurement methodology.
Color Mixes (experimental) 
1:0
3:1
3:2
1:1
2:3
1:3
0:1
Color mixer is an experimental feature using Mixbox: Pigment-Based Color Mixing. (Mixing within the sRGB gamut, assuming the colors were opaque colors.)
Color mixer is an experimental feature using the paints' spectral curves, measured on masstone to predict the mixing path, assuming the paints were opaque.
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